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From the mid-1970s on, however, reflections on political economy and the consumer society disappear almost completely from his texts, and henceforth simulations and simulacra, media and information, science and new technologies, and implosion and hyperreality become the constituents of a new postmodern world which – in his theorizing – obliterate all the boundaries, categories, and values of the previous forms of industrial society while establishing new forms of social organization, thought, and experience.
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Baudrillard begins distancing himself from Marxism in “Requiem for the Media,” and in particular attacks Marx’s alleged economic reductionism, or “productivism,” and the alleged inability of the Marxian theory to conceptualize language, signs, and communication (Habermas at the time was developing a parallel position within Critical Theory).
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